The Medieval Soundscape of Évora from a 17th-Century Perspective
Most of the published studies about the history of music in the Portuguese city of Évora have begin chronologically in the first decades of the sixteenth century onwards. This period corresponded to the activity of the Spanish chapel master Mateus d’Aranda at Évora Cathedral. The successors of Aranda both as chapel masters, singers, and instrumentalists, throughout the sixteenth century have …
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