❧ So much has been written about Giovanni Pierluigi da Palestrina’s compositions that it would be fruitless to follow the same approach to his music as many accomplished scholars have done so. So, in this text I’ll offer a personal perspective to a motet that has eluded me for some time. So much has been written about Giovanni Pierluigi da …
The motet Cantantibus organis by Giovanni P. da Palestrina ❧ read more »
No Renaissance composer and few later ones have been as proficient as Palestrina at writing positive, outward-going, major-key music, and in this context Assumpta est Maria represents one of the most important works of the period. With these words Peter Philips (director of The Tallis Scholars) mentioned Giovanni Pierluigi da Palestrina’s motet Assumpta est Maria for the first time in …
The motet Assumpta est Maria by Giovanni P. da Palestrina ❧ read more »
Giovanni Pierluigi da Palestrina died on 2 February 1594. Several months earlier, a collection of 68 motets was published. Although it appeared at the end of 1593 it is generally thought that these motets were composed over a period of years. Many have interpreted this publication as a summation of Palestrina’s life’s work. It was the last of the many …
The motet Ad te levavi animam meam by Palestrina ❧ read more »
Palestrina is most certainly the sixteenth-century composer who printed almost all of his music production. The fact that his career developed in Rome, centre of the Catholic world and of important figures of the Church, contributed considerable for the numerous books of masses, motets, hymns, lamentations among many other works that make the volume of his music production.