❧ Among the recent readings on Iberian music in the last decades of the seventeenth and early decades of the eighteenth century, one interesting aspect called my attention which is centred on the controversy around the Catalan composer Francisco Valls’s Missa Scala Aretina that developed during the first decades of the eighteenth century. Among the recent readings on Iberian music …

The Francisco Valls’s Missa Scala Aretina controversy ❧ read more »

Many sixteenth and seventeenth-century composers have set the text O Magnum mysterium with wonderful polyphonic results, such as Willaert, Gabrieli, Palestrina, Victoria, and, Morales only to name a few. In Portugal during this period we find at least three settings of this text – all as responsories – by Pedro de Cristo, Duarte Lobo and Estêvão Lopes Morago respectively, being …

The motet O magnum mysterium by Cristóbal de Morales ❧ read more »

I have always been a fan of small-scale polyphonic works. In the case of Portuguese sixteenth and seventeenth-century polyphony, I have always included brief works, mostly the Jesu Redemptor settings, in concert programmes and recordings. These works are often forgotten from concert programmes due to their small scale length. One of these cases is Tomás Luis de Victoria’s In manus tuas.